Tag: Jean Harlow

Cleo AUS

Scan of Cleo magazine Australia from May 2005 featuring Gwen Stefani

Blonde & Bitchin’

She’s married a rock star, is in one of the collest bands ever, has her own clothing line, released a solo album and been in a movie with Leo. Anything Gwen can’t do? By Jane Bussman.

Gwen Stefani arrives at the shoot dressed as the second half of her trademark contradiction: MGM starlet meets punk. She’s wearing her own label, Lamb – va-va voom sweater, jeans that look sewn on – with a bare face and wet hair. It’s hard to square this with the photographs that are reguarly splashed across the fashion press: she always looks too perfect to be real.

Stefani does a good line in perfection, which is why this is her moment. At 35, she has graduated from much fancied face of No Doubt to star of the front rows of fashion week. She’s got a solo album and has her first movie out – playing Jean Harlow in The Aviator. “I feel pretty lucky to be me,” she says. Read the rest of this article »



GQ UK

Scan by No Doubt Scrapbook of GQ magazine UK from December 2004 featuring Gwen StefaniBound for glory

Ska-punk siren Gwen Stefani is about to go stellar with a debut solo album and a plum role in Martin Scorsese’s The Aviator. But GQ managed to tie her down… By Charlie Porter. Photographs by Marc Hom.

Gwen Stefani is sitting in a Mercedes and she’s fizzing, fast words, few pauses. “The record is ridiculous. It is RI-DI-CU-LOUS.” Ridiculous, in her native Orange County, California speak, appears to be a very good thing. We’re driving away from the photoshoot at an abandoned riverside building in deepest south London, where the basement rooms feel like dungeons and the sparse furniture includes what seems to be a miniature bondage chair, rope knotted tight across its frame. Would she sit on it for GQ? Stefani strides up and straddles it, happy to oblige. Read the rest of this article »



Instinct USA

Scan of Instinct magazine USA from December 2004 featuring Gwen Stefani

What a Year! The best (and worst) of 2004

Introducing Gwen Stefani as our chick of the year. By Parker Ray.

It’s hard to believe that this is Gwen Stefani’s first gay press interview – especially considering how much we queer boys love our stylish, ballsy, independent, hard-working, trendsetting, pop star blondes (real or dyed). So much so they can all be addressed by their first names: Madonna, Debbie, Britney, Christina, Kylie.

But there is a difference between the ladies above and Gwen. She nails it when she tells Instinct, “I don’t feel like I’m very controversial, I don’t want to upset people. I just want to make them feel good.” Read the rest of this article »



V International

Scan of V Magazine International from Fall 2004 featuring Gwen StefaniJust A Girl

For the past 17 years, she has stood as the punky siren of the band No Doubt. But there is more to Gwen Stefani’s platinum-blonde life than meets the eye. There’s her fashion line, her acting career, and her first solo dance album with a little help from some music-industry heavies. Christopher Bollen meets the girl underneath it all.

When a certain then-unknown pop star landed for the first time in the New York and climbed into the back seat of a cab, she spoke those immortal words that have now become firmly cemented in rock-music legend: “Take me to the center of everything.” The driver dropped her off in Times Square. Whatever your feelings may be about this particular pop icon, the anecdote does offer a profound lesson: It is relatively easy to stand for a few seconds at the heart of the universe (in 1978, according to this cab driver, that would be the corner of 42nd and Broadway). The tough part is being able to stay there. Read the rest of this article »



WWD USA

wwd-headersGwen Stefani: a sure thing

NEW YORK – As Gwen Stefani, lead singer for the band No Doubt, gets ready to go on stage, she looks like a pumped-up, punked-out Jean Harlow.

“I’ve always been obsessed by the days of the Hollywood starlet.” said the platinum blonde, whose coiffed, peroxide locks mix with glittery stage wear, including primary-colored cropped tanks over rhinestone-studded bras, parachute pants, Doc Martens and a gem glued to the center of her forehead (a look she says she adapted from an ex-boyfriend’s East Indian mother).

Stefani credits a range of fashion influences – from East India to East L.A., from Doc Martens to workout wear – for her glam-punk look.

Post-concert, it’s a similar style – minus the shine – with an emphasis on comfort. The rigorous tour has her relaxing offstage in Adidas workout pants and sneakers, for the most part.

The schedule has also affected Stefani’s old shopping habits.

“Before, I was always going to thrift stores,” she said, in a girlish, scratchy voice a day after a raucous concert at Roseland here. “These days I hardly have time to go get toothpaste.”

The Anaheim, Calif.-based band has been on a whirlwind tour for a year in the wake of its double platinum album, “Tragic Kingdom.” Critics and fans have rallied behind the group’s blend of funk and pop.

At her shows, the high-energy 26-year-old bounces around the stage and shows off rippled abs to the moshing fans, diving and body-surfing across the crowds.

“Are there any girls here?” she screams to the audience before belting out the hit single “Just a Girl.”

The crowd erupts in a volcanic roar, as fans approve the nose-thumbing lyrics about a woman’s perceived place in the world.

Part of Stefani’s charm emanates from a childlike aura – complete with an attentive gaze and high-pitched voice – despite her tough-girl stage persona.

After shows, Stefani strolls around backstage, shaking hands with music critics and signing autographs for young fans. It’s likely she hasn’t forgotten that the band’s nine-year ascent was built on many late shows in nightclubs and gigs in parts unknown.

A spokeswoman from No Doubt’s record label, Trauma, said the band is truly a Cinderella story. Two prior albums and a West Coast following were just fractional indicators of success. With Tragic Kingdom, the band broadened its style to include more of a pop sound than before – and hit pay dirt.

Success hasn’t spoiled Stefani.

“Gwen’s anti-drug – she’s become like a spokesperson, unofficially, for young girls in this country,” said the Trauma spokeswoman. “She’s not into that whole drugs, sex, rock ‘n’ roll thing. She’s one of the most wholesome people I know.”

Stefani still relates to the girls-next-door and they relate to her.

“I was the type who thought I could never influence anyone, this loser from Anaheim,” Stefani explained. “But I have such normal experiences – the mainstream Orange County chic-girls can relate.”

Girls relate not only to her lyrics, they also emulate her sense of fashion. The mostly teenage audiences at the shows mirror the hip-hoppish pants-and-tank combo, with many Adidas logos in the mix. And Stefani just filmed a “House of Style” episode for MTV, in which she details her tough-but-sexy chic.

“In high school, I couldn’t stand to have the same thing as everyone else,” she explained. “I always made my own clothes – and had many disasters.”

She still designs for herself, but the fashion disasters are over. Stefani has teamed with Deborah Viereck, a Los Angeles designer who also does custom work for rock stars Marilyn Manson and Seven Mary Three through her company, called ‘T ain’t.

“She goes through phases,” Viereck said. “At first it was like a Chicano gang-member look, but with touches like reflective strips.

“Then she started getting really sparkly. We do things that catch the light a lot, like sequin pants.”

Pants are key, due to the aerobic nature of a No Doubt show.

“She wears a lot of punk rocker bondage pants, in red, green, blue and yellow,” Viereck said.

In the heyday of the Sex Pistols, fans could be seen in multi-zippered numbers, usually in tartan plaid. Viereck gets in all those special straps, zippers and chains, but in Stefani style.

“We’ll do a bright yellow pant with black zippers and straps or red with yellow,” Viereck said. “Contrast is one of the most important elements of her clothing. It’s almost like a cartoon-animated style.”

When Stefani’s not touring, Viereck said, the looks are more tempered, with a retro feminine flare.

“She wears all that nice feminine clothing offstage, like cute Forties-style dresses and shoes,” said the stylist.

Stefani seems pleased with the custom collaboration. Who knows? A spinoff could be in her future.

“I would love to start a line with Deborah,” she said. “I love fashion.”