Thanks to Gwen Doll we now have some great scans of the Elle Icons supplement which has some gorgeous images of Gwen Rock Steady era right through to the Sweet Escape.

The magazine was released in 2007 and also features lots of images of Madonna and Debbie Harry from Blondie.

If you have any scans to contribute to the gallery please use the contact form and upload your pictures!

Thanks to a radical hip hop reinvention and a series of credible creative hook-ups, Gwen Stefani has emerged in recent times as a major music player. Now, on the eve of her solo launch, the iconic blonde talks about boys, girls, celluloid dreams and making “a little dance record of her own”. Pop goes the superstar!

Somewhere within Gwen Stefani there must be an element of sadness, dourly gestating, imprisoned, waiting to break free. Not that you’d know it from the woman herself. You won’t get so much as a breath of negativity from eight straight hours in her company. Spending time with Gwen is like mainlining a curious, buoyant cocktail of Sunny D and liquid seratonin; it’s as if helium has magically found it’s way into the air-conditioning. She oozes essence of zesty, goofball, feelgood California. She’s got a succession of quickfire, cheerful punchlines beamed straight in from The OC script office on some delirious repeat edit and raises an iconic eyebrow by way of saucy punctuation for each one. If I had a dollar bill for every time I heard the word ‘dude’ coming from her big, smiley, slasher Hollywood mouth, I’d most probably have a couple of hundred bucks by the day’s end.

Everyone’s jaw drops when Gwen enters the room, but she magnanimously deflects this awed reception, partly by running around on vertiginous, clip-clop Westwood heels, showering ‘hello’ kisses all round by way of introducing herself – as if she needs to – and partly by ‘yo, duding’ anyone that will listen. Which is mostly everyone. She breezes into the photographers studio at 12:30pm. By 5 o’clock in the afternoon I figure that the whole room has fallen in love with her. Not bad, given that half of them are women, gay or variants of both.

When God was dishing out the good looks, it is fair to say that Gwen Stefani was somewhere near the front of the queue (she skipped the semester when he was alloting angst). She bagged the bright, starry eyes, the Jessica Rabbit waistline, the stretch-to-infinity legs, the neat, cherubic and suddenly explosive pout and added her own bleach later to blend into a perfectly fitting state of white blonde.

Thus, the camera loves her. And, boy, can she work it. Whether paddling down the backstreets of Kentish Town, stopping traffic by flashing her Dior Couture hooped underskirt, handing out balloons to local kids with whom she is causing an evident stir – at any given point she draws an audience of somewhere between ten and thirty gobsmacked onlookers from nowhere – or reclining on her back in the middle of a busy road, she seems preternaturally hotwired to stardom. “Loving your work, Gwen,” shouts some itinerant laddo from an open window. Is he referring to her records? Or the fact that she has just strutted starrily down his street, mostly in her underwear? It’s never quite established. But Gwen’s an expert at this game. She plays it right back to him. “Loving yours, too” she says, blowing the lucky chap a kiss.

Later she will says that this is her work, that “I want to be at the centre of something incredible.” She can play the loveable ditz better than anyone you’d care to imagine. But underneath it all, one suspects, is a steely determination to turn her brand into something approaching legend. The eve of her solo launch for world domination – or as she, somewhat disingenuously put it “just making a fun little dance record of my own” – is a fascinating moment to watch Stefani. Gwen, you see, is that oddest of breeds. She is a joyful celebrity. She appears to have been born to it. If only they cut all of them from this mould.

What was little Gwen like?
I was always, um, a little… [dithers a while, stirring soya milk and honey into her tea]

Was she going to be a superstar?
No! Dude! The only fantasy I ever had about that was after I was already in the band. When I was in High School I thought that a really cool job would be to sing jingles. I do physically like singing. I thought I could do it. So that was where my ambition was at. I thought ‘dude, you can sing. Hey, you could do Kentucky Fried Chicken commercials.’ That sounded like fun.

Before she acquired the illusive status of being famous for simply being Gwen Stefani, Gwen was famous for fronting No Doubt, an unusual, ska-inflected poprock operation. I had always, wrongly assumed No Doubt to be named with a knowing wink to the obviousness of their English musical heritage, a nod to the whole ska thing. In fact, the explanation seems far more literal. It is because they, and their startling front woman, appear to have no doubt. Even in their fallow periods, No Doubt have exuded a unique and singular, can-do confidence. I’ll be honest, the first time I heard tell of the group I winced. Then I saw them and gasped. They looked like they’d been assembled by an angry marketing meeting of chunky, godless businessmen clutching phallic cigars and mopping sweat from their thickset brows with fancy Hermes hankies in a Bel Air production office. The foxy chick and the almost Bennetton-ad racial assortment of backup dudes. Mohawks, skaters, punks, babes, Ragga, pop, rock, ska, even a short sharp brace of metal and the odd hip hop inflection. This cacophony was surely dreamed up to appeal on every level, at every single junction of the record-buying demographic. It was as if ’80s MTV had imagined the group into life, willed them into being.

Yet for two partially flunking albums – their self-titled debut in 1992 and Beacon Street Collection in ‘95 – they managed to keep only heads above water. LA college kids with piercings and Acupuncture bootees kept them just about in business. There were tours with The Red Hot Chili Peppers and Ziggy Marley, but still Gwen would only get stopped while shopping at Tower Records on Sunset Strip and asked about the band. She was approaching huge in her native LA, a bona fide sensation in Anaheim – unbelievably appropriately, CA’s feeder town for Disneyworld that was her childhood home. But in most of the speaking world she couldn’t get arrested. Then came along Don’t Speak, the first of two monumental, turnaround, upward swings in the imperial curve of being Gwen Stefani.

Gwen was 26 when Don’t Speak gave her her first international smash nine years ago. She toured its parent album Tragic Kingdom in support to the then-huge Bush, where she met her husband their handsome, English rake of a singer, Gavin Rossdale. If for a while they had appeared to be wipe-clean, parent friendly Kurt and Courtney, her inflating success bubble put Gwen in the bridesmaid’s role of a direct run of iconic pop blonds from the previous two decades. Exactly where Courtney always threatened yet never quite managed to be. Debbie Harry was approaching 30 and three albums old when she first cut through to circuit-dominating pop supremacy. Madonna – that other Catholic, Italian-American bleached pop goddess that Stefani is so often compared with – was 27 by the time of Holiday. It is suggested to Gwen that the ’70s gave us Harry, the ’80s Madonna, and the ’90s Gwen. She looks aghast.

“That’s crazy, dude. That’s crazy. Don’t even say that shit. Listen, I’m having a freaking fun time and I love what I do but to even talk about me in the same breath, you know?” Three days before we meet, Gwen had been to see Madonna on the London leg of her career-defining Reinvention tour. “It was amazing. It was actually quite embarrassing how close I was to her. It was so fun. people were so happy. I was so elated. I haven’t been to a concert like that in years.”

Beneath the wonder, there is a serious consideration here, as to how far Gwen can go. If Gwen is gently cautious about voicing it, Madonna herself, ever a champion of the young bucks biting at her ankles, spotted it. They have socialised together. “She’s been really nice. It’s something not a lot of people know about Madonna – how supportive she is to other female artists.” Gwen has a theory on their connection: “My mom’s Irish/Scottish and my dad’s pure Italian, but his dad came from Rome to Detroit, so I tease Madonna that me and her are related. Because my grandma’s sister’s husband is Ciccone. But I don’t think so. Maybe.” The thought is clearly a thrill, however far-fetched.

Twelve million copies of Tragic Kingdom, and its follow-up Return of Saturn later, a brace of Grammies collected, and the second pivotal moment in the making of a modern icon occurred. Gwen had been experimenting with solo vocal work, already, and had bagged an American smash with Moby on the single Southside. But it was her duet with crop-headed Dr Dre prodigy, rapper and impecunious scion of all things street Eve on Let Me Blow Your Mind that upped Stefani’s ante into being something other than a pretty frontwoman of the American record industry’s favourite globe-trotters.

Did she feel the shift? “Aha! Sure I did. Just like everybody else did. I am under no illusions that the record turned me around. being able to rock into Eve’s world and get lost in all that coolness. I mean, I dreamt of Dre. He’s always been on my label and I always dropped things to people that knew him, like, ‘dude, if you ever want me to do any vocal thing, anything. I’ll do it’. So I got the call about the Eve track, but I didn’t have much to do with that track. I went in. He beat up my vocal, I left and I remember I was really liking walking into another, completely different world. But it turned out so incredible and it was such an incredible thing to be part of. It really opened our world up to all these other people. We had a whole opportunity out there of people that would work with us. It was awesome. That’s how I met Andrea, too.”

Andrea is a crucial figure in the Gwen operation. They share a closeness amongst singers and their stylists probably only rivalled in the celebrity cannon by Kylie and her creative directing shoulder, William Baker. Andrea, a Bronx girl by both nature and nurture also looks after Jennifer Lopez – it was she that selected the olive green heavy print, Versace/tit tape Oscar ensemble that was to redefine red carpet attire forever – but Gwen is more than her client.

“She’s my girlfriend first,” says Andrea, “I love working with her and hanging out withe her.” Gwen puts it even more succinctly “She’s the East Coast me,” she declares. Their bond was instant and thus their working synchronicity was nailed instantly too. A fashion plate was beginning to weld itself onto the public conscious. Stefani became eternally prefaced in print by the seldom scientifically or precisely used words ’style icon’. And she earned the plaudit with glowing ribbons.

By her own admission, coolness is not Gwen’s forte. She blanches when I ask her to rate how cool she is on a sliding scale of one to ten. “No way. That is so mean. I could never do that. I just don’t think like that.” Nevertheless, she has become a benchmark for the scintillating ambitions of the coolerati since her seismic shift. No Doubt’s first and, thus far only post-Eve album, the most perfect pop/rock configuration Rock Steady, attracted a new elite into the fold. Nellee Hooper, William Orbit and Sly & Robbie joined in the production credits. Just to prove the band itself was one step ahead of the fashion curve, they invited Ric Ocasek, frontman of The Cars and new wave renaissance man par excellence, out of retirement to harness a couple of moodier rock moments. The result was astounding. If Don’t Speak had been both blight and blessing for No Doubt – who really wants to be a one-hit wonder, however wondrous the one hit? – Rock Steady established them as one of the late-blooming giants of the world stage, both commercially and creatively. It was their belated tipping point moment. They achieved heat.

By the time it’s come to a full blown solo foray, everyone wants a piece of Gwen. The cast list of collaborators on her debut is dizzying. Andre 3000, Wendy & Lisa, Pharrell, New Order, Linda Perry, Dr Dre, Dallas Austin and long-time No Doubt co-writer and one-time boyfriend Tony Kanal are all along for the ride. Outside of her currently enviable musical predicament – Stefani’s solo album is the most hotly anticipated of the season, and not without reason: it’s dynamite – she has been directed by Martin Scorsese in the Howard Hughes biopic The Aviator, opposite Leonardo DiCaprio. Her and Andrea’s fashion line, L.A.M.B, is finally reaching its full potential (“Look at my cardigan,” says Gwen, showing off a piece of her own work “it looks like camouflage, but look closer. It’s lambouflage”). Multi-tasking is in Gwen’s DNA. She is rocking so hard now, a free-wheeling boulder couldn’t interrupt her progress. Thus her opening gambit as we sit down to talk properly comes as something of a surprise…

Do I smell? I’m so sorry. I mean, I have all this crap on me and I’ve not showered and I’ve been running around and, um, I’d stay away from me if I was you.

You smell fine.
Just stay over there dude.

Honestly, there’s nothing! Why do the solo thing now? Is this it for No Doubt? Has it run its course?
People for years have always been saying ‘oh, she’ll go solo.’ Listen, I am not going anywhere. My fears are the same as any No Doubt fan’s fears. I really do not want to fuck that up. I’ve been doing No Doubt for 17 years now. I talked to Tony about it and said I didn’t want to threaten anybody or anyone’s situation here, but I wanted to try something else. He was really into it. They were all supercool about it. I already said that I wanted to make a family… oops. I wanted to make a movie, and I did want to make a family, too, by the way. All these things that I wanted to do and, lets face it, I’m on time check here. They understand that. It’s different for them because they’re guys so they’re all cool. I was thinking if I don’t get this thing done now then when’s the No Doubt record going to get done? When am I going to have a baby? Fricking hell, this clock is going quicksville.

It’s a pop record, right? A proper pop record?
Sure. Me and Tony come from totally different backgrounds, musically, to Adrian and Tom. They’re really into punk and heavy metal and ska and Tony and I didn’t really listen to that stuff when we were growing up. We listened to all the ’80s stuff. When I met Tony I was 17. He turned me onto Prince, The Family, Time, Club Nouveau, Debbie Deb, Lisa Lisa, all that stuff that was totally a huge part of our childhood. Early Madonna really figures here. White Lines. I had all that shit, and even though you didn’t necessarily admit it, it was a totally huge part of our musical upbringing. It felt right to go there again, Cyndi Lauper, Duran Duran. I graduated Sixth Grade in ‘87, you know?

Have you only ever had two boyfriends in your life?
Yes, I had one boyfriend in high school who was my kissing boyfriend who I was completely in love with. We went out for six months. The thing about him that’s weird to talk about is that he actually died. Recently, you know. Just two years ago. I didn’t know him for years, though I actually wrote a song for him on this record called Wonderful Life. He was one of those guys that was the naughty, naughty boy who had total character but was always getting into trouble. He was in and out of high school all the time.

So the boy that all the girls wanted to date?
Yeah. One time he was back in high school and he just turned into Robert Smith overnight, which I obviously found very attractive. I was obsessed with him for years, then he broke up with me. It wasn’t like… It was Ninth Grade, he was the second boy I kissed. But Tony was my real boyfriend for eight years. We broke up then I met my husband and we’ve known each other for almost nine years.

What attracted you to Gavin?
Probably physical stuff, you know. It was very physical to start with.

What were your initial impressions?
We got to meet the guys and we went into the room and all I’d ever heard was ‘Gavin this’ and ‘Gavin that’ and I saw this guy and it just hi me like something out of the blue. I was like ‘whooo!’ He is shockingly handsome. We went out for dinner last night and I was thinking ‘gee, you are hot’ and then I thought ‘and I’m married to you! Whoa!’ It’s really good. Then he was on tour with us and it was kinda weird. All my band are my friends and none of them wanted me to go out with him. He had a little reputation for being the typical rock star guy.

But he’s a nice boy?
He’s an amazing person. He’s such a nice guy. Obviously, I wouldn’t have gone out with him if he wasn’t.

There was a little rock’n'roll mythologising around him though?
Sure. I mean, probably some of that shit was true but he was a guy like anyone is. It’s not like you’re born a rock star.

Why do all these people want to work with you now?
Linda Perry had come up to me. She approached me, which is wild. She came up to me at the Grammys and put me in a headlock. We were the first girls to sign to Interscope, so I’ve kinda known her for years and we were always drawn to each other.

Is she not a little scary?
She is, dude! She was right up in my face telling me ‘we’re gonna write songs together’. She totally confronted me about working together and she’s the hottest hit maker. You have to remember that I’ve never worked with a woman before and this girl can play any instrument she picks up, she can run the board, she produces, she writes, this is the coolest, most awesome person to be around. She’s on fricking fire from the moment we walk into the studio. My ego was already curled up and in the corner by the time she’s pounding out these tunes but it just clicked. There were times during the process of doing this that I hated myself because whoever I was sitting next to was so incredible.

Are you aware when you’re in the presence of genius?
To be able to sit next to Andre 3000 and see how he writes lyrics and comes up with shit is amazing, let me tell you. For me coming in as a fan, it can be horrifying.

Aren’t you aware that those people are fans of yours too? That’s why they’re there?
Everybody that I’ve worked with seems to be really into it, which is very flattering. I can’t believe it. I didn’t want to put something out unless it was incredible. I said that from the beginning and at any point I could have just pulled it.

Jean Harlow, lets talk…
I just saw it in New York. I saw my clips. It’s sick.

What was Scorsese like?
Magical.

Not frightening?
The exact opposite. I was obviously scared out of my mid, but he’s the most welcoming, comforting kind of guy. Almost to the point where you think ‘have you got to make me feel this nice – haven’t you got a film to direct here? He basically saw my picture from a Teen Vogue shoot on the side of a bus stop by Herb Ritts. It’s all Herb’s fault! I’d done the whole Marilyn on the beach kinda thing and Martin saw it and asked me to try out for the Jean Harlow part and I tried out and got it. The thing that’s crazy about this… I mean, it’s a small part but I’m not calling it a small part. I’m with Leonardo DiCaprio, directed by Martin Scorsese, playing Jean Harlow. I can be on screen for, like, one second and that is not a small part. That is huge, dude.

Are you pleased with it?
Oh boy, am I?

Is this the first time you’ve acted?
Yep. You know what’s crazy about it is I’m playing Jean Harlow just after Howard Hughes has given her her first major movie role, right? And I thank Howard for giving me this amazing part. So I sent Marty some flowers when he cast me with the exact same words on it. It’s kinda symbiotic, you know?

How many people will you be thanking in your first Oscar speech?
Dude, the list will be endless…

One last thing. How happy are you right now?
Ecstatic, basically.

Gwen Stefani blows our minds once again. By Peter Davis, Photographs by Richard Phibbs.

It’s Gwen Stefani’s 33rd birthday, and the scene in No Doubt’s dressing room at an auditorium in downtown Los Angeles is cluttered and chaotic. Stefani’s operatic voice booms from the sound check as she belts out the song “Bathwater.” Five large pizza boxes and cases of Coca Cola, Diet Coke and bottled water are stacked near an enormous bouquet of birthday flowers. Drummer Adrian Young’s wife, Nina, strolls by cuddling their toddler son, who has been dressed in a black jumpsuit with skull-and-crossbones buttons. Techies race back and forth, fueled by venti lattes from Starbucks.

“I’m burnt, dude,” says Stefani, who wed Bush lead singer Gavin Rossdale in September, as a blue-haired assistant hands her a cappuccinos. Her sweet voice has a Southern California sufer-girl twang. “I had 10 days to plan my wedding, and now I’m going on tour,” she says. “I have so much stuff going on. In January I’m taking the month off. Gavin and I, we don’t know what we’re gonna do-just hang out and not talk to anybody.”

Sporting a rehearsal outfit of Ron Herman and a blue-and-white mesh tank top, with her long, white-blond hair framing her face, Stefani is just as beautiful as she looked in the photographs of her in her pale-pink couture John Galliano wedding dress. Stefani and Rossdale actually tied the knot twice. The first ceremony, performed by the Church of England, was held on September 14 in London, where the “I dos” were said in front of 130 people-family members and friends like Stefani’s ex, 32-year-old No Doubt bassist Tony Kanal. After a honeymoon on the Italian island of Capri, the pair flew back to Los Angeles, where they repeated their vows privately for a Catholic priest and the couple’s parents. Finally, on September 28, Jimmy Iovine, chairman of No Doubt’s label Interscope, gave the newlyweds the ultimate present: a lavish, enormous wedding celebration at his Beverly Hills home, with guests like Brad Pitt and Jennifer Aniston. “I didn’t know what level it was going to be at,” Stefani gushes, widening her brown eyes. “It was beyond! It was the most spectacular event I’ve ever been to. Everyone’s mouth was on the floor. I didn’t think I”d be emotional the second time around, but I was.”

Stefani’s blonde, bottle-rocket looks have landed her in magazines as different as Vogue and Vibe-proof that the singer transcends all age and racial boundaries. Her ability to transform and reinvent her public persona are sure to give her a career trajectory like another blond pop dynamo, Madonna. Part of her enduring appeal is her daring fashion sense. Raised in a conservative Catholic household in Anaheim, California (home of Disneyland), she has a look that is part cartoon, part Latina home girl. From bindis to braces to Jean Harlow hairdos, Stefani’s changing looks have kept the Gwen-abes busy trying to re-create her style. With help from her mother and friends, she has always designer her own clothes and stage costumes, so it’s only natural that one day she would start her own clothing company. With her business partner, Andrea Lieberman, Stefani is launching Lamb, an edgy fashion line that will hit stores in Fall 2003. The line’s name comes from her moniker for her dog. “‘Lamb’ is anything cute singer explains. “It’s basically the clothes I wear. I want it to be my style, so I can wear them. I don’t know what it will evolve into. I don’t know if people will like it nor not. I don’t know anything about fashion, I’m still learning. It’s just another creative outlet for me to do, and it’s exciting.”

Armies of Gwen clones crowd every No Doubt concert, but Stefani says she is still surprised that she is a role model. “I never thought I would have an impact,” she claims. “I was a really passive person growing up. I had a really creative, talented, hyperactive older brother. I’d do whatever he said; I liked what he liked. Anything he did, I did.” This brother, Eric, started No Doubt in 1986 with singer John Spence, and 17-year-old Gwen provided back-up vocals. Then Spence killed himself with a gun in a public park in 1987. With Gwen stepping in as lead singer, the band (which at the time included Kanal on bass, Tom Dumont on guitar and Adrian Young on drums) recorded Tragic Kingdom in 1995. The record sold 14 million copies (Eric Stefani, who dropped out of the group seven years ago, is now an artist and a contributor to The Simpsons.) Gwen became an instant MTV superstar. “After living at home with my parents and going to college and making this record that I thought no one would ever hear, it was like, ‘Who am I? What the hell in happening?’”

As a teen, Stefani didn’t find many women to look up to in rock music. “I remember in high school, I couldn’t like Madonna,” she admits with deadpan seriousness. “It was high school. There were rules. I was into ska and rockabilly- bands like Fishbone and Madness. It wasn’t until later that I discovered Debbie Harry, who was everything I loved. She was glamorous,and she got up on stage and she rocked. Now, of course, as you get older, you see someone like Madonna, who has a career that lasts and keeps people interested so long, and I have a lot of respect for her.” Stefani complains that when she first started there was little room for women in the mail-dominated world of bands. “Girls were like, ‘What does she think she’s doing up there?’-that kind of attitude. Then it started to turn around to, ‘She’s me. She’s representing me.’ I think it’s amazing to be in a band as a girl. Girls come to the concerts, and they feel like they can relate to you-to the lyrics, or maybe they just like the way I do my hair. It’s really cool that I can do that for them. I love it.”

These days, all anyone wants to talk about is her love life, which has been followed by fans of No Doubt’s pop-ska music for years. Her breakup with Kanal in 1994 inspired the hit ‘Ex Girlfriend.” She says the ballad “A Simple Kind of Life” (from No Doubt’s sophomore album, 1999’s Return of Saturn) – with lyrics like, “And all I needed was a simple man/ So I could be a wife”-has “a lot to do with Gavin.” Today, on her birthday, Stefani reports that she is more mature and ready to start a family. “I want to be a grandma,” she confesses, smiling. “I love my 30s so far. Of course, I’m really vain, like we all are, and I’m probably more vain because I’m being looked at all the time and judged. I”m sure in a couple of days I’ll look in the mirror and go, ‘Oh, my God! Look at that and that and that.’ But turning 30 has been so cool. I just want to live life.”

During the making of Return of Saturn, Stefani was in a deep-blue funk. “I was lost,” she recalls, staring off into space. “The making of that record was a growing phase. You can hear it in the songs. I didn’t know how to write songs when I did Tragic Kingdom. I kind of figured it out. I really wanted to be a good songwriter. I wrote in my journal and cried. Ugggh! It was such a serious mood. You can see it in my style. I had pink hair, but I didn’t know what I was doing. I was turning 30 and going through a weird phase.”

Stefani’s current ebullient state of mind is evident on the band’s latest disc, the up-beat Rock Steady. “There’s a real freshness to [the album], because nothing was planned,” she says. “It was like, be fun – write a song about, whatever, how cute your boyfriend is.” Much of Rock Steady was recorded in Port Antonio, Jamaica, and boasts co-producers and co-writers like Sly and Robbie, Prince, William Orbit, the Neptunes, Rick Ocasek, Nellee Hooper and Dave Stewart. “We had all these different energies,” she says. “When you do a record with all different people, you have to bring it together phonetically. We had no game plan, but everything fell into place.”

The list of artists Stefani has collaborated with is also impressive. She’s scored hit with Eve on “Let Me Blow Ya Mind” and Moby on “South Side.” “Working with Gwen was wonderful,” Moby recalls. “When she came into the studio, I expected her to be a lager-than-life rock star, but she was so sweet and down-to-earth. It was the same when we worked on the “South Side” video. She has this very focused work ethic that is impressive, and she’s a lot of fun to be around.”

Stefani returns the love. “I’m so lucky people ask me,” she says. “The song with Eve had the most impact on me. I’d never worked with a rapper. Doing the video, it was like stepping into a whole other world. I love the idea of different worlds coming together. It was what ska was all about in the first place. And I got exposed to a whole other audience. Even just walking around New York, people who I didn’t think would know who I am were like, ‘Hey, what’s up?’”

On the top of Stefani’s with list for future collaborators is Dr. Dre. “He’s on my label, so I told them, if he ever calls or wants me for anything, I’ll be there!” Although Stefani and Rossdale listen and critique each other’s work, they have yet to cut a track together. “We’ve never been creative as a team like that. I would love to, but I feel shy about it somehow. It’s the one thing we haven’t done together.”

After No Doubt’s tour ends in November, Stefani and the band are going to lay low. “We don’t really have any plans. We’ll do whatever feels right at the time. Right no, I don’t think anyone feels inspired to write a record.” The main thing on Stefani’s mind at the moment is finishing up today’s sound check so she can hightail it home to hubby Rossdale, who is cooking a special birthday dinner. No Doubt will soon be on the road, playing big stadiums with bands like Garbage and even opening a few dates for the Rolling Stones.

Stefani finishes her cappuccino and sighs. “Being a performer and being on tour is really repetitive,” she says, rolling her eyes. “It’s not very creative. I really enjoy writing a record more than touring. Performing is fun, but it’s like, hey, so is eating ice cream. You don’t want to do it every minute of your life. It’s like, okay, something else now, please.”

Transcribed by Tabitha for No Doubt Scrapbook. What a star!

No one tells Gwen Stefani what to do – thank God! We get to the roots of her rock’n'roll style. By Gia Kourlas. Photographed by Gilles Bensimon.

Gwen Stefani doesn’t like to be made over and why should she? “I always do my own makeup and hair,” she declares. “Every time I’ve experimented, it’s been a disaster.” Once you get past the obvious – that her powerful vocals have been a trademark of No Doubt for 15 years and that she writes most of the music herself – the coolest thing about Gwen is that totally original look. And at 32, she says she’s having more fun with her look – and her life – than ever. No Doubt’s latest album, Rock Steady, is an irresistible dance party in disc form, and Gwen’s relationship with fiancé Gavin Rossdlae of Bush seems pretty rock steady too. Great! Because what we really wanted to grill Gwen about was her personal style, and, lucky for us, she was willing to play along…

Were you a nonconformist in high school?
Well I think that for young kids, it’s all about being like everyone else. So I had to have my sports shirt, and there was the zip-up sweatshirt that I wore every day. But when I hit puberty and found music, all of a sudden I wanted to be unique. In high school I did a lot of sewing and thrift-store shopping. My mum sews a lot of clothes for me when I was growing up, so I spent loads of time at the fabric store. Every dance that came up, we would buy fabric and make my dress. For prom, I made Grace Kelly’s dress from the movie Rear Window.

Wow, really?
My mum made me that dress! [Laughs] It was black velvet with a white chiffon skirt. We also made the dress from The Sound Of Music that Julie Andrews wears when she sings I Have Confidence. It was tweed with a drop waist, and I wore it the first time I was ever on stage at the school talent show.

Do you still have that tweed dress?
I have all the dresses we made.

What happened to the 40s dress you wore in the Don’t Speak video?
I got that at a thrift store, like five years before we shot the video. It smelled so bad that I never wore it. It’s beautiful fabric, that really old rayon that just hangs beautifully. But it’s a real mess!

Did your mom sew pretty much all of your dresses or did you also?
My Mom – but I made a lot of my own stuff, too. I could never do zippers very well. When we were on tour right after the first record came out, I made three or four dresses, which were all from the same pattern that I’d created myself. It was kind of a corset-style drop waist with a cheerleader skirt, and it looked like there was a white blouse underneath. I always made them in cartoon-y bright colours like bright reds, blues and yellows. Underneath I wore my boxer shorts and fishnets and Doc Martens. I had my little vibe going on.

Have you ever thought about starting your own clothing line?
Yeah! I want to. I talk about it all the time, especially now that I’m inspired again. But it’s hard to do a lot of things at once well. That’s why I haven’t had a kid yet. I want to do that well, and I want to be a good wife, but I’m so busy and I have so much passion for what I’m doing… I’m having a great time! [Laughs] So I think that if I do a clothing line, it has to be like everything else I do – it has to be homegrown, it has to be real. I wouldn’t just do it to make money, because I could do that easily. All I would have to do is the say the words – “Here’s my accessory line” and it would be nuts. I love that our fans get inspired and show up to our gigs in home-made gear. That is the coolest thing – I’ll never get sick of that. They inspire me.

Who else inspires you? Let’s play a word-association game with the names of some stylish ladies.
I don’t know everybody, but okay.

Grace Kelly?
Gorgeous.

Stevie Nicks?
I love her. Cool as hell. I relate to her a lot. And there are lots of similarities in the stories of our bands. [Laughs]

True enough. Veronica Lake?
The “Hey Baby” video, because I tried to copy her hair! [Laughs]

Debbie Harry?
Me on the last record. I really tried to rip her off hard on that one.

Jean Harlow?
She was dope-ass, she had those skinny eyebrows and attitude. She was way ahead of her time.

Madonna?
I can’t give you one word. I have to give you a long winded explanation of my relationship with her. [Laughs]

Yes, please.
When I was in high school, I was really into ska music. And I was 15 or 16, so there were lots of rules. If something was really popular, you’re like “I’m not into that.” Madonna was huge, but I was really into ska. I was like Madonna? Whatever.
But I think that, secretly, I was interested. I went to her concert in ‘87 at Anaheim Stadium, because I was in love with Tony [Kanal, No Doubt’s bass player] and his mum worked for the council and got free tickets. So we went and we kissed in the parking lot and saw the show. It was amazing. But I was never really a huge fan of hers until recently. I just look at her body of work now, and I have a whole lot of respect for her. I know what it’s like to be a girl in a man’s world. I’ve met her a few times. She is such a cool girl. The thing is that I relate more to someone like Deborah Harry, because she was in a band. It’s like two different worlds. But as far as paving a little space for some girls could come after her [Expels breath] – Madonna did that.

What do you think of Britney Spears and her image these days?
There’s room for everybody, and there’s always room for pure entertainment. But I’m surprised at how fast she’s moved on. I think when you’re in a band, the cool thing is that you have time to grow. Like I only just started wearing heels and getting more comfortable with my sexual side. Before, my whole vibe was based upon the idea that I wanted to be a guy – but I wanted to wear a lot of make-up. Being a girl in a band means that I want to do my hair and wear cute clothes, but when I get on stage, I want to rock out. But lately I feel that if I show a sexier side – and if you put on high heels, then you automatically do – it’s okay. I’ve earned my way.

It’s like a rite of passage?
Exactly. I feel that some of the younger artists should just hold on to their youth a little longer – it’s like, dude, you have so much ahead of you! But I can’t say anything, I could never imagine myself having commercial success at that age. I would go crazy.

If you hadn’t got into music, would you be a stylist or a make-up artist or something like that?
I was a make-up artist. I worked at a department store at Anaheim Plaza, which was a pretty low-grade mall with dollar stores. Different types of she-males would come in wanting to get their makeup done. [Laughs] It was such a rewarding job to help people feel better about themselves by putting on a little of this and a little of that. But if I hadn’t gotten into music I don’t think I’d still be working at the mall, I would have completed college. I can’t imagine going back now. I learned all the important things I needed because I didn’t want to feel like a stupid person – but as far as art classes go, I’d love to go back.

Your style is so immaculate, so put together. Do you ever just kick back in a sweatshirt and no make-up?
[In wonder] Immaculate! Oh, dude, yeah! Of course I do. On tour, for the most part, I have two outfits that I wear every night on stage. I just rotate the colours. During the day I wear my workout clothes. Publicity time is really fun because it’s all about the clothes, and lately I’m really into it again. I feel all energized. I went to the fabric store to make a skirt for my sister’s wedding and I freaked out! I was like, Oh my God, I haven’t been here in so long! I bought fabric and had loads of pants made up.

What do you think about the way Joan Rivers and everybody else – including this magazine – critique celebrity fashion?
I get totally seduced by it all. I love to open People to see what everyone’s wearing. But it’s different when it’s me. What’s that one I always get in? “When bad clothes happen to good people.” [Laughs] I kind of consider that a compliment. The clothes they consider bad I usually like!

Does Gavin have a favourite outfit?
He has really good taste. He’s influenced me a lot, to grow up a bit with the way I dress. He’s really anti bright colours – everything I am! He doesn’t have a favorite outfit. But I definitely try to impress him. He influences me when I’m shopping. I think, Will he like this?

Do you go for more conservative things now?
Maybe I just don’t go for the really bright colours as much. [Laughs] I have to grow up. I can’t just stay the same forever.

How have you evolved as a songwriter?
With the last album, Return Of Saturn, I decided I just wanted to get really good at writing. I started keeping a journal, and I’d never done that. I got the lyrics and poems of Joni Mitchell, which are just genius – the most beautiful way of putting thoughts down. She really inspired me. And then Gavin told me about Sylvia Plath’s The Bell Jar and I was so inspired by that – and by her journals. But with Rock Steady we wanted it to be a little more free. I tried to make my writing more conversational. I didn’t get into my whole “being inspired” thing – I would be inspired by a day. even a moment. And I didn’t labor over it – I tried to write stuff in an afternoon and then go and record it.

You’ve collaborated with so many great people - Eve and Moby, and now Prince and Sly and Robbie on Rock Steady. Who else would you like to work with?
The Thompson Twins. I would love to make a rap song with those guys. Or have them remix one of our tracks.

You grew up in the ’80s but don’t seem embarrassed by ’80s fashion. Do you really like it?
I love the idea of something that’s really bad becoming really good again. The ’80s were an awesome time for music. And plus it was the backdrop of my life, so of course I love it and embrace it!

Did you have fun on TRL in December?
Yeah. We’ve been on so many times, but we were so excited and nervous. I didn’t think I could get that nervous again! We kind of came off as nerds, but oh well.

Do you consider yourself kind of dorky?
[Pauses and giggles] I’m pretty cool now. I always get really freaked out when I start thinking about how people see me. It’s a weird lifestyle. We have this web fan forum, and you can read everything the fans have to say. There’s a lot of negative stuff, and I don’t know if I’m going to read it anymore. No Doubt’s never done anything that anyone’s told us to do. Like I don’t wear anything that anyone tells me to wear. The whole idea of No Doubt is freedom – creating something on your own. To try to get better and grow. It frustrates me when people get that wrong and think that they own you. The idea of fans is amazing, because they give you your life, but the idea of anyone, a fan or not, trying to tell you what music you should do? I don’t do it for anyone except myself in the first place. It’s an art.

Anyone who says being a rock star is a boys-only deal can kiss Gwen’s butt. After wowing crowds for 14 years, No Doubt’s outrageous star answers ym readers’ burning questions. By Alyssa Vitrano

What the world needs now is more rockstars. Or, to be precise, more rock stars like Gwen Stefani.

Whether she inspires you to max out your girl-power side or just dye your hair hot pink, Gwen has a knack for pushing people to be a little more fabulous. She’s got all-out energy in performances and amazing personal style – who else could start a bindi craze or get braces just for the fun of it?

“Why do the good girls always want the baaaaaad boys?” she purrs to the audience during her performance of “Bathwater” at the My VH1 Awards show, her tight platinum curls, blazing red lips and belly-baring blue sailor suit popping out in the sea of dancers waving gold pom-poms. After the performance, she hops back to her trailer, which is nestled between Creed’s and the Red Hot Chili Peppers’. A fur-coated Macy Gray stops her after performance to say hi.

The crazy part is that in real life Gwen’s actually a 180 from her public persona. So watching her at the VH1 Awards, it’s hard to believe this was the girl who showed up to our shoot the day before in a pink hoodie and baggy pants, her hair dragged back into a casual ponytail. “I can’t believe this is my life,” she says. “How did this happen?”

Here’s how: No Doubt formed in the mid ’80s and struggled for years to get their generally happy music heard in a time when radio was whining through all the angst the grunge scene could pump out. Gwen recalls, “We didn’t care that we were kind of the nerd band for a lot of years. We had to do it.” The band didn’t have a hit until they released their third album, Tragic Kingdom, in 1995 – the one with “Just a Girl” and “Don’t Speak.”

But in addition to chart success, No Doubt’s hot lead singer inspired a wave of Gwenabes who copied her kick-ass tomboy meets gorgeous-girlie style. Even up through the release of the band’s latest record, Return of Saturn, pretty much anyone you asks still seems to agree that Gwen’s cool. “Everyone always says I’m a role model, but I don’t take it on,” she says. “I’m just trying to get through like everyone else.”

Well, “everyone else” is pretty intrigued. Right before her Fashionably Loud sound check at MTV, Gwen’s taking a breather in her New York hotel suite overlooking Central Park. She pauses over the gourmet chocolates the hotel has laid out on a table to grab a water bottle, and hands me one, too. (Later she tries to foist her chocolates on me so they won’t tempt her.) Sitting in her rock-star suite, I tell her that hundreds of ym readers posted questions for her on our website. She leans forward in her chair. “That’s crazy. What do they want to know?”

As a teenager, were you as creative and unique as you are now? – HOPE STEINMANN-IACULLO, 13, Staten Island, NY
I would have been considered the least likely one to be doing this. A lot of rock stars come from those dark places and it seems like it’s a prerequisite, but I grew up in a normal, traditional Catholic family. I feel really lucky to have had that.
In school I was always passive. I wasn’t a cheerleader or in the choir. I was really bad at school. I struggled really hard with math and spelling (and still do). I hated it in a lot of ways. I didn’t have a lot of friends; I was a one-on-one kind of person. The only thing I got into was art class, because I could draw. I was also really dependent on my boyfriend for my happiness. My personality and goals were pretty much surrounding him. After he broke up with me was when I wrote all those songs – “Just a Girl” and “Don’t Speak.” That gave me a lot of power and confidence because it was a creative thing I didn’t realise I had in me.

When you perform you exude a sense of individualism and a strong personality. Does this come naturally to you? – REBECCA WEBB, 18, Perth, Australia
When I first started performing, I didn’t know hat I was doing but I knew I really liked it. It evolved naturally. I get on stage and  it’s definitely another side of me. I don’t walk into a party and become the loud one taking up all the space in the room. On stage I can go into a whole other world and I love when that happens. It’s like I’m watching myself from the outside.
There are those horrible nights when I feel fat and ugly or like a dork. I can do everything – eat right, work out, not talk a lot, stretch – but it’s just the worst show. Or I’m on my period feeling like I can’t believe I have to do this. And then. Whack!, the audience throws me into shape and I come off in a great mood.

Who were your musical inspirations as a kid? – SARAH MYERS, 17, Iowa City IA
There were a couple of people I looked up to, Angelo Moore from Fishbone and Anthony Kiedis from Red Hot Chili Peppers -  the bands I used to go and see when I was in high school – were larger than life, in control of everyone there, including me. I can remember just being mesmerized by their energy and the way you could get suduced by them. I thought, God, if I could do that…

How did you get into music? – BRITTANY JIBBY, 14, San Jose, CA
It was just a group of friends who liked the same music and wanted to be in a band because we were so fired up by the bands we loved. My older brother, Eric, started the band. He was really talented and I lived through him, so that’s how I got into it.

Why’d you dye your hair pink? – ELIZABETH LAGNO, II, New York
I saw a poster of this ’50s girl with light-pink cotton candy hair and I was like, “Oh! I want to do that someday!” I finally did it because I was depressed – we thought our record was done, but then we had to write three more songs. Plus, I had just turned 30, and maybe me and boyfriend were fighting. It ended up way brighter and more hot pink than I was expecting. I never intended to keep it, but I really loved it and then I kept it for a year.

What hair dye did you use to get that awesome shade of pink? – KATHY BYCZKOWSKI, 16, Chicago
My friend dyed it for me and used Fudge and Manic Panic.

Where do you get your fashion ideas? – KRISTINA ROGERS, 13, San Jose, CA
Really it’s whatever fits or makes me look the hottest. All sorts of things inspire me, but often I copy everyone else. I’ll see a cool girl on the street or go to concerts and copy girls who copy me. Girls will looks o good with my old hair and I’ll be like, “I’m doing that again!” As far as stars, Deborah Harry was so ahead of her time with the whole girl-in-a-guy’s-world thing. Madonna’s amazing – I think my favorite period is the “Borderline” phase. And Björk is so creative and unique. I’ve copied her loads of times.

Are you still going out with Gavin Rossdale? – CASSIE DOLL, 16, Lawrenceville, GA
Yes. He definitely understands my passion, and we enjoy each other’s music and inspire each other to keep going. That’s cool to be able to talk about. The only hard thing is there’s not enough room for each other in our lives a lot of times. Like if he were just a normal guy he could come hang out with me in the studio. We are both so passionate about what we do, so that’s the one hard part we’re trying trying to learn how to deal with. But we’ve made it for five years, so who knows what’s gonna happen.

How do you deal with your relationship being in the spotlight? – LESLIE KETTERMAN, 16, Angleton TX
Compared to my last relationship, it’s been a lot more private because giving up everything about Tony and me was really hard. People don’t know the whole story, they know like 14 songs of it, I started to feel like if I tell everything then we’re like Barbie and Ken – it cheapens what my real relationship is.
However, there are a lot of pretty straightforward songs about Gavin on the record. I don’t try to edit myself. We give each other the freedom to write whatever we want. Certain things are like, “WHAT? You write that?” But we both understand where it comes from.
When we go out in public we have fun. We were at Universal Studios CityWalk and kids were everywhere – we like running into them because they gave us our life. We would have never met each other. It’s pretty amazing, and we feel really lucky.

Do you put your own ideas in your videos? – LEIGH ANN METZLER, 16 Ocean City, NJ
I always have an idea of what I want to be. For “Ex-Girlfriend,” I knew I wanted braids. In my high school there was this girl Mercedes that I wanted to look like in that video. She had white skin, reddish-blond hair, skinny eyebrows, and really red lipstick. She’d put powder on during the whole of class and never take off her mascara – she’d pick her eyelashes apart with safety pins because she’d just keep putting on more mascara.
The “Simple Kind of Life” bride character was based on a John Galliano fashion show with Kate Moss in these huge dresses. And in the “Bathwater” video, I wanted to be more what I was on the VH1 Awards, like Liza Minelli in Caberet, but it just kept changing.

How did you get to work with Moby on the “Southside” video? – JENNIFER RIVERA-VEGA, 14, Philadelphia
When he asked me to do it, I don’t think many people knew who he was. He was very underground. I didn’t even really know who he was but my boyfriend was into him. And out of all the girls in the world, he called me to come sing. I felt very flattered; he’s a really sweet guy. I sang a bunch of stuff on the track, and then he didn’t even use it on his album. i was heartbroken and he sent me a basket of soaps. But then he did a remix and asked if I wanted to do the video and I love doing videos. I’m usually colourful and cartoony in my own videos, but they wanted me to be the extreme of that. I was a little concerned I was going to be mocking myself. The video is kind of silly and I originally thought it would be more serious, but it came out awesome.

What is it like hanging out with guys 24/7? – JESS ROSE, 13, Oldsmar, FL
I’m always on tour with all my boys. For the My VH1 Awards, I had dance rehearsals with all the girls and we had so much fun. I miss out because I don’t do that often. But there’s definitely a difference between girls who hang out with girls and girls who hang out with guys. The guys in the band are my best friends. Once in a while I feel a little left out when they become extreme guys, trying to womanize. On our tour we had an after-party every night. I kind of didn’t fit in because it was all these girls who just wanted to be with the guys. They’d want to hang out with me, but couldn’t seduce me so they didn’t know what to say to me. It’s really awkward.

Do you face discrimination as one of the few girls in the punk music scene? – CHRISTINA NOEL JETER, 17, San Diego
Early on it was definitely weird because there weren’t a lot of other girls in bands where I lived, especially in the ska scene. The people who worked at the clubs just assumed I was a tagalong girlfriend or a groupie. I’d get up on stage and the audience was just like, “Show me your tits!” I had nothing to show anyway! But they’d be aggressive and that was a challenge. We had to really prove ourselves. Then after the show they’d be like, “You were great!” My whole goal was to get up there and not be a girl or a guy, but just get the audience off and make sure there were still guys in the pit. That made me feel really good.

What do you think of the music that’s out now? – SARA BEESLEY, 15, Marblehead, MA
These days it’s kind of depressing – I call it fast-food music. It’s so corporate and manufactured..  It’s a shame for everyone getting into music for the first time. Growing up, I was so into Fishbone and Madness – unique and homegrown bands. They wrote their songs and didn’t have a look constructed for them. It’s just different from some 40-year-old man sitting in a room calculating the right lyrics.

What inspires you to write songs? – KATI KRAKER, 14, New Berlin, WI
It’s pretty weird how it happens. When we played KROQ’s Acoustic Christmas last December a new band called At the Drive-In was very original and I thought, Oh My God, I need to go write something. It’s like I see great people and I think I gotta be greater. I’ll get together with the band – they’re really talented – and when they get excited, I get excited. Also, when I’m just playing guitar or reading books and poetry.  I’ll read a beautiful line and it’ll trigger so many things about my own life. Going through fights and breakups also inpires – but I wouldn’t say go fight with your boyfriend! I feel all the same things that other girls feel. I only know that becuase when I write my songs, girls go “Oh, I feel like that!” That’s my big comfort.
Every song is different. For “Simple Kind of Life” I sat in a room with a DAT player going and the song just poured out. But “Don’t Speak” was written over years. After Tony and I broke up I rewrote it, because the other words really were just kind of made up. “Bathwater” was written last minute, just for fun. I didn’t think it would ever make the record let alone be a single.  But it’s a fun party song.

What advice would you give to girls who want to pursue a musical career? – VICTORIA LAMAS, 13, Adelanto, CA
Being a girl shouldn’t even be an issue. The music is the most important thing, and everything else is an extension of that. So if you get all caught up in your look and the name of your band and stupid stuff, well, that’s just the whole wrong reason to be in a band. Getting a record deal shouldn’t even be the goal. Chances are you are not going to be commercially successful.
It has to be something you have a passion for, like you can’t help yourself. I would say write songs, and try to get live shows. If people show up, you’re lucky. And if you’re good enough, eventally someone’s gonna go, “Wow, that’s inspiring. Let me help you out.”
As a band, we’ve never done this for any other reason than we just loved to. We all went to school and had jobs, but every Tuesday, Thursday and Sunday night we got together and played music. It wasn’t becasue we wanted to be rock stars. It wasn’t because we thought we were talented or good. We just did it.